Akai Synthstation Review - iOS Blog

Even though I have been an iPhone user for 4 years now (yes that’s since the original iphone and before we had widespread 3G *gasp*) I have never really fallen for the iOS app craze and have been especially sceptical of music production on smart phones. Yes I’ve dabbled in a couple of apps over the years and it has been interesting to monitor the rapid development in iOS technology but I’ve found the lifespan and general functionality to be limited at best.

Intua’s Beatmaker for example had me fascinated for the first evening of use – I mean, come on, a sampler and sequencer on your phone! Brilliant. However, as mentioned above, the limited functionality left me reverting straight back to my laptop and Logic. At the time beatmaker was only functional as a stripped down MPC and therefor only useful for creating drum breaks and sample loops.

A year or so later I find myself looking for an affordable way of triggering samples at live shows – with my current budget a Nord Wave or MPC 1000 is completely out of the question. I soon stumbled across a band using an iPod Touch with an AKAI Midi Control Dock to trigger synth sounds at a show whilst on tour in Bilbao…. “cheapskates”, I think to myself, “that’s even lower than using a laptop and softsynths”. However I must admit that it did plant the seed and soon got me thinking about all the possibilities available on such a compact system. Before I knew it I was in the market for the Synthstation 25.

Now as I’m writing this I am roughly a third of the way through a US tour (well currently in Canada) and, being the disorganised fool that I am, forgot to bring any projects to work on during the long journeys and, quite frankly, am sick of trying to set up a mobile studio in tour busses and on budget airline flights. Setting up a laptop, soundcard, headphones and midi keyboard in a four-foot square when my knees are already up to my chin makes an already uncomfortable journey far worse, it doesn’t make for an ideal writing environment and is hardly inspiring.

On the Second day of the tour we popped into the Guitar Centre (big chain of music shops in the US) in Brooklyn to grab some supplied.. In a glass cabinet by the counter I saw the AKAI on sale for $40… !! SOLD !!

This thing is awesome.. I downloaded the Akai Synthstation app for a bargain £1.49. It’s very basic, it only allows the use of 4 instruments (1 drum machine, 2 mono synths and one polyphonic synth) but it is designed for use with the hardware and works seamlessly. Within 2 hours of opening the box I had gotten quite comfortable and already thrown together 3 ideas, one of which I’m pretty confident will make it on to the SubDivision album.

The keyboard itself is (at least for the money) extremely well built, all the moving parts feel pretty tough and it has a fair amount of features for such a small unit. 25 mini keys (think MicroKorg), pitch and modulation wheels, 8 soft buttons (the usual octave jumps and 6 others for controlling software), headphone port with volume knob, phono output, mini usb port and of course the all important apple dock.

The Synthstation works with a wide range of iOS apps including the fantastic NanoStudio (that’s a whole blog to itself). If you already own one then just by docking your iPhone/iPod into the keyboard and opening the AppStore will automatically direct you to a list of compatible apps.

Now my original plan of using the device for triggering samples is on the back-burner again.. I just can’t quite trust computers at live events yet. However, when I’m on the move and want to jot down ideas, this WILL be my first point of call. Being able to through together ideas so quickly has revolutionised my composing. Where as before with writing on a laptop it may have taken me around an hour to get a rough idea together only to find out that it wasn’t quite how imagined, I can now (in the same amount of time) put together 4 or 5 disposable ideas and grab the one that works!

Ok, so maybe we’re not going to be creating CD release quality tracks on our phones just yet but as for creating new ideas on the fly.. This is hard to beat.

If you’re a musician and an iPhone user, do yourself a favour… Just buy it – you won’t regret a thing.






Audio PostSun, Jan. 22, 2012 582 notes

[Flash 9 is required to listen to audio.]
Title: Comeback Kid Artist: Sleigh Bells 0 plays

pitchfork:

“Comeback Kid” is the latest riff-hungry track from Sleigh Bells’ forthcoming album Reign of Terror.




Audio PostTue, Jan. 03, 2012 1 note

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Title: The Storm - Tin Pigeon (Demo in a Day Package) 192 plays

Another track from a successful demo day session up! Best listened to on a Sunday morning..




Text Post Sat, Oct. 22, 2011 36 notes

Midas Pro 6, A & H iLive + Digital/Analogue Rant

Anyone who’s still on that “Analogue>Digital” trip.. You need to have a go on one of these..

Midas Pro 6 (in Nice)

Tried this bad boy out at a show with Fujiya & Miyagi in Nice a little while back (and met him again later at Shepherds Bush Empire) - I now have a whole load of faith in digital equipment. This thing sounds REAL. In a blind test I’d never have told the difference. The EQ has the typical brutality of a large format Midas and the compressors are amazing.

It actually comes with 4 or 5 compressor types per channel - and they really do sound radically different to one-another. The ones I found most useful were the “Vintage” and “Corrective” types.

Vintage gave the typical “warming” qualities you would expect; like harmonic distortion and a softer compression characteristic more suited (in my opinion) to smoother bass sounds and vocals. Reminded me of the sound you’d get from the Avalon channel strips.

Corrective was the complete other end of the scale. Aggressive and very clinical. You set your attack to 5ms and you’ll get exactly 5ms come through before it clamps down. Great for adding “thwack” to a snare. Could quite easily create a pretty confusing mix if used on everything though! This one screamed Drawmer DL 241.

Again, sonically - amazing desk - the “population groups” are a great idea but I’d have rather swapped them for traditional groups/busses that would allow additional processing. i.e. drum group compression (I find it pretty hard to live without that).

Anyway I didn’t intend on writing a review on this so I’ll stop there; at £40,000+ it’s not a consumer unit - but if you are still thinking analogue is the only way and everything digital sucks then I really think you should reconsider. Digital equipment and plug-ins are getting better by the day. Certain things will always have a place in the live/studio department - high-quality preamps/consoles/compressors will hold a strong place for a long time to come. But digital processing is sounding great right now.

Seen a couple of these recently too..Allen & Heath iLive(??? i cant quite remember someone correct me if I’m wrong)

A & H iLive(?) in Bari.

I’ll probably take a beating for this but I actually quite enjoyed this one too.

Ok - so the sound quality doesn’t even touch the Midas, it does sound digital… However it is very versatile.

High/low pass filters, 4 band parametric eq, gate (with s/c), compressor (with s/c), limiter and de-esser on EVERY channel all accessible with hardware controls for each section.

At this show we did manage to also set up some group compression eventually - although I haven’t been able to recall this process at later shows. One of the only digital desks I’ve ever used that actually fulfills 100% of my tech requirements (on paper at least!).

Anyway the bottom line is: Digital’s here and it’s here to stay - embrace it!

- Faz x

… p.s. look out for future posts where I’ll completely contradict myself by praising the analogue gods!






Photo Post Sat, Oct. 22, 2011 1 note

Brand new logo design by Dave McMillan!
Knocked up in 4 hours - this guys good and quick!
If you’re looking for some awesome design work get in touch at info@damageaudio.co.uk  and we’ll put you in touch.

Brand new logo design by Dave McMillan!

Knocked up in 4 hours - this guys good and quick!

If you’re looking for some awesome design work get in touch at info@damageaudio.co.uk and we’ll put you in touch.




Text Post Fri, Oct. 21, 2011 84 notes

Places I can be found…

http://damageaudio.co.uk

Studio Website

http://subdivision.co

Dirty-Electro/Rock/Pop Band

http:/facebook.com/fazman3000

My Facebook :)







Photo Post Mon, Oct. 03, 2011 1 note

Ok.. so er, Hi!
I’ve been threatening to do this for a while so I thought “ah hell might as well start it somewhere”.
So yea…
Welcome to the start of the Damage Audio Blog.
Here I intend to share a few stories with the world about my experiences with clients a recording studio, international tours as a live front-of-house sound engineer and as a recording and performing musician in bands.
Also… I intend for a large proportion of this to be dedicated to sharing the knowledge I have learned/am learning along the way. A large majority of this will probably be tutorials on mixing techniques/software and reviews on new kit that I will have recently acquired for the studio.
Hopefully you’ll find something of interest on here.. more importantly I hope that I can find the time/actually remember to post stuff on here!
Enjoy!
- Faz

Ok.. so er, Hi!

I’ve been threatening to do this for a while so I thought “ah hell might as well start it somewhere”.

So yea…

Welcome to the start of the Damage Audio Blog.

Here I intend to share a few stories with the world about my experiences with clients a recording studio, international tours as a live front-of-house sound engineer and as a recording and performing musician in bands.

Also… I intend for a large proportion of this to be dedicated to sharing the knowledge I have learned/am learning along the way. A large majority of this will probably be tutorials on mixing techniques/software and reviews on new kit that I will have recently acquired for the studio.

Hopefully you’ll find something of interest on here.. more importantly I hope that I can find the time/actually remember to post stuff on here!

Enjoy!

- Faz



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